Kryštof Brůha
Aeris Chronos

Transmedia artist Kryštof Brůha, whose practice straddles the boundary between material ontology and digital space, is preparing an installation for the House of Arts that explores the intersection of algorithmic networks, generative design, and post-industrial techniques such as machine learning, 3D printing, and CNC. In it, he reconstructs the invisible dynamics of systems: from microprocesses in the natural environment to abstract data flows. His kinetic objects and generative videos function here as intermedia interfaces that translate techno-ecological metamorphoses into multisensory compositions.

The Aeris Chronos exhibition explores air as a living archive of time, carrying traces of history, environmental changes, and human activity. The installation uses data archaeology to transform environmental information into a multisensory experience. Abstract data from long-term measurements of air quality in Brno, carried out by the ESF MU research team in Brno, is translated into sensory forms, raising questions about environmental changes, the connection between humans and technology, and the invisible layers of reality. Brůha ingeniously combines precise industrial materials with organic shapes, creating a contrast between the austere scientific nature of the data and its poetic metaphor. The robotic elements of the installation refer to humanity's efforts to control natural processes, while also highlighting the fragility of this relationship.